Everyone has their “Sophie,” that elusive love who lingers only in memory. She exists as a delightful illusion suspended in time. Haute & Freddy, the whimsical Baroque duo, channel this sentiment in their latest single “Sophie.” The track bursts with psychedelic charm and is refined by a classic indie pop structure. Following the 2.4 million stream success of “Shy Girl,” these alt-pop artists to watch expand their portfolio with a colorful and yearning new release. “Sophie” was co-produced with Bergen-based team Askjell. The visual counterpart was directed by Silken Weinberg, known for her work with Ethel Cain. Together, they complete the sonic story.
The instrumentals shimmer with reverb, echoing the glistening textures of 1980s pop, but not overly so. Ascending melodies in the verses heighten the dreamlike quality, paired with the acoustic guitar and playful dancing synths in the background. The accompanying visuals are organic and unserious; face-painted figures and circus-inspired characters frame the duo like a misfit family portrait.
As the song unfolds, “Sophie” reveals herself as a glowing and joyful presence. The lyrics describe her as “like a breath of fresh air,” yet she remains just out of reach. She belongs to an idealized past, fundamentally unapproachable, but her essence lives on. Will she be there when they return home? At the same bar or subway stop? These questions linger indefinitely, full of hope.
Haute & Freddy – Michelle Buzz and Lance Shipp – are swiftly ascending in the alternative music scene. Their devoted fanbase, appropriately “The Royal Court,” reflects the duo’s embrace of eccentricity and creative freedom. Why not be odd? Drawing inspiration from underground club culture and general aesthetic obscurity, fans arrive at shows in jester hats and mime attire. Rolling Stone noted them as an “Artist You Need To Know”; the recognition feels well-earned.
“Sophie” will soon echo across stages in the United States and beyond. Haute & Freddy will perform at Austin City Limits in Texas on October 5th. They will also appear at Corona Capital in Mexico City on November 14th. Don’t like festival crowds? Don’t worry. Intimate shows are scheduled in Chicago, New York, and Los Angeles, to name a few. Audiences can expect to hear other favorites like “Scantily Clad” and “Fashion Over Function” during these performances.
Leave a comment