From Lorde to Addison Rae, New Music Friday brings this week’s newest pop hits!
1. Rico Nasty- “Son Of a Gun”
Rico Nasty’s newest single, “Son Of a Gun,” featured on her new album LETHAL, is a fierce showcase of her signature genre bending blend of trap, punk, and rap. With this song and its accompanying music video, The iconic trailblazing rapper transforms the track into a beautiful showcase of feminine rage, heavy guitar riffs, humor, and tying it all together with her emotional complexity.
2. Grace Davies- “Super Love Me”
British singer songwriter and X-Factor alumnus Grace Davies launches her new single “Super Love Me” and announces an exciting upcoming debut album, The Wrong Side of 25. Inspired by nostalgic basslines, the track is a gut-punching, melancholic pop gem that unpacks Grace’s heartbreak with a hint of humor and wordplay.
3. Addison Rae- “Fame Is a Gun”
Teasing her highly anticipated upcoming album, Addison, the Tiktok-sensation-turned-pop-princess drops “Fame Is a Gun,” a hypnotic, hyperpop track that gives a glimpse into what Addison’s upcoming work would sound like. The accompanying music video perfectly visualizes the charm and aesthetic of Addison’s brand and music that captured fans worldwide.
4. Lorde- “Man Of The Year”
Lorde drops another single from the upcoming album, Virgin. “Man Of The Year” marks another vulnerable, emotionally resonant, and sonically captivating track from the New Zealand pop star. The song features Lorde’s signature genius lyricism, raw and emotional vocals, as well as a gut punching, haunting chorus. “Man Of The Year” offers a glimpse into Virgin, but more importantly, Lorde’s growth and evolution as an artist that never fails to impress listeners throughout the years.
5. The Beaches- “Did I Say Too Much”
Toronto based alt-rock band The Beaches drops “Did I Say Too Much,” an upbeat, catchy summer tune. Describing the frustrations of a confusing situationship, the track sonically contradicts the lyrics as it sounds joyful and perfect for the summer. This duality reflects the content of the lyrics itself, tapping into the complex nature of relationships.
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